He said to her: Ive ruled not one, but two whole empires count em
yet the feeling that its not enough hangs round here like some phantom.
I rationalise, I hold aloft the naked truth like a lantern
but the ghosts got pangs like Phineas and its played by Harry Dean Stanton.
The crux is: though life (sigh)s a pig, a flagship stuck in drydock,
the worlds a stage of tears, blah blah, Im not too keen to die, doc!
Since whats the use of fighting off contenders for the prize
if the victor has to give it all up when he dies?
At Liverpool Street Station I stood trembling in my rayons
under the departures board like I was at a séance.
The times and destinations riffled like a tarot deck
or wheel of fortune clackety-clack and me a nervous wreck.
I spose I was expecting something almost this unpleasant:
instead of Norwich, Cambridge, Braintree, Colchester or Cheshunt,
up came death and death-on-death, deathdeathborough, deathchester!
I swore and kicked my briefcase, and was not the lone protester.
To my left and right the ranks of travellers stood steeled
against the scam, as furious as flash-fires in a field.
They could not have felt more cheated if the claret in their chalice
had a hidden kick of hemlock or was laced with digitalis.
And just as, when disaster strikes, men hurry to apportion
blame, when facing death they try to get off with a caution,
or still more cunningly, attempt to cheat or broke a deal.
I realised then, and tell you now, its this that stokes their zeal.
Heads in freezers! Heads in freezers! All the world is rife
with plots to outlive such diseases as old age and life,
and each desire to conquer is as
mad as great-great-granddad Caesars
was it frightens the bejeezus out of me, by Jove!
Bring me scissors, anaesthetic,
fetch me sumn whos good with a knife.
No half measures! This pathetic
longings got to be hacked, by Jove,
out, out, out of my own hearts grove.
These werent my thoughts at first, you know. I saw it as defiance,
felt like a pint-sized hero in my own Land of the Giants,
like a racist squaring off against the foreign tide,
like anyone whos got their heart set on tyrannicide
Caligula, old boy, I said, youre deadlier than Bethnal
Greens own gangster twins, old chap, youre going to ring deaths death knell
(And dont we all go charging, whether stupid or in love,
to stall that last-ditch cowering, the hands-up not-me-guv?)
But I quickly got fed up with every other desperado
who seemed to have the same idea and equalled my bravado,
which constitutes most anyone whichever way you lunge
O quantum est hominum beatiorum! Plus ça change
In fact, your lonely Emperor was nothing but a Johnny-
come-lately, would you credit it, to this mulligatawny
of daring escapology their plans had been in motion
since the late Cretaceous, plans to put the old kibosh on
Thanatos, like Sisyphus, that tricky little swine, did.
Boulderbrain, a roll model? I doubt he wouldve minded!
But uh, the kind of projects all these Sisyfans are bent
on seeing through, theyre all demented, 100%.
In fact, I made a list and brought my spiral notebook, sister
hows about you read it through while I take a siesta?
No? You want it from my lips? What else does she want from his
lips? the patient wonders. No more letching, doc, I promise!
But
Heads in freezers! Heads in freezers! All the world is rife
with plots to outlive such diseases as old age and life,
and each desire to conquer is as
mad as great-great-granddad Caesars
was it frightens the bejeezus out of me, by Jove!
Bring me scissors, anaesthetic,
fetch me sumn whos good with a knife.
No half measures! This pathetic
longings got to be hacked, by Jove,
out, out, out of my own hearts grove.
The list? The list! It starts with the least crazed, the most concrete
and dont think its exhaustive or by any means complete
but 1) the rut of barons, rich as I, who use their hoarded
wealth to startle scientists Youll be well rewarded
if you pledge your brains to this high cause Im shitting bricks
work out how a man like me can dodge the river Styx!
Think thats the stuff of movies? Doc, I swear it aint.
Theres not a one of the super-rich who learned the word restraint.
2) The ones who, lacking wealth, an aptitude for science
or any means to change the cosmos, join in an alliance
to fool themselves (and hopefully the Universe as well)
into thinking were all marched from this life schnell, schnell!
to another where we languor in a stagnant state,
punished or rewarded by The Jumped-Up Magistrate.
3) (And now were getting to the bona-fide head cases)
Those who feel it counts if just a part of them, a traces
still intact beyond the expiration date a spark,
a smudge of DNA inside a vial inside an ark.
For them, ysee, departings not the real affront. Whats rotten
is in a trice youve never lived at all youve been forgotten!
This shouldnt be! the victims wail. And yea, their plans unfold,
plans to etch their names into the schooldesk of the world.
For some a childs enough; for others, five or six. For some
its critical the kids go through a strict curriculum.
(I know its round about the time for my next outburst-chorus.
Believe me, doc, the urge is on me like a psychosaurus.
But number threes important, so perk up, prick up those elfin
ears, Frau Caligorgeous its the one I put myself in.)
As I say, for some stage twos to drill the kids for years
to be like them, uphold the name, be more than DNA smears.
Others gun for infamy the Khans and Bonapartes,
cabalists and most of those who go into the arts.
Armed with their peers approval and some self-important bollocks,
they loot the town for subject matter, furtive Eli Wallachs
but see themselves as more akin to fresh-faced Horst Bucholz:
innocent, courageous, pure of heart for all their faults.
Heads in freezers! Heads in freezers! All the world is rife
with plots to outlive such diseases as old age and life,
and each desire to conquer is as
mad as great-great-granddad Caesars
was it frightens the bejeezus out of me, by Jove!
Bring me scissors, anaesthetic,
fetch me sumn whos good with a knife.
No half measures! This pathetic
longings got to be hacked, by Jove,
out, out, out of my own hearts grove.
Pluck me from this fug, this trance, this palsy-esque mindfog.
Whatll cure what ails me, my sweet neo-mystagogue?
Genocide, vivicide, cosmocide, or deicide?
Matripatrisiblicide? I dunno, doc, you decide.
I should be gone completely when its time to blow this party. Oh,
to blazes with posterity and feeble dismembratio
of soul and carcass; atomiseds the only proper status.
No legacy, no monument, no death-put-on-hiatus.
Great to get that off my chest. Now
Ive got a few hundred on me
Hows about the two of us abandon with this money
and put it on Black Death at the 3.30 down at Haydock
then stay up watching second-rate Disney movies whaddya say, doc?















Devious Comments
As always, an enjoyable read.
--
...My aim is simply to give a rough account of what bullshit is and how it differs from what it is not - or (putting it somewhat differently) to articulate, more or less sketchily,
the structure of its concept.
~On Bullshit - Harry G. Frankfurt~
I like this, for its bouncy cataloging, and its world-weariness. My thoughts:
Just so you know, I was thrown, especially initially, by the bucking, inconsistent register, it being such a curious mix of the demotic and the formal.
"Yet", for eg., strikes me as one of those words you never speak but only write, though might not bother me if "s'
I keep stumbling over the rhythms of the piece as well. You're hinting at a sing-song musicality in part (which is what brought to mind (Bagpipe Music), a kind of Pope-ian (sic) tick-tocking wit in other parts, but neither is maintained entirely successfully, I don't think.
You've got a refrain of sorts that doesn't work quite as well to the ear as on paper which is surely wrong. You set up that lovely flouncy rhythm with "Heads in freezers", only for it to implode in the weird enjambs ("is / as", "Caesar was / mad"), and then be resuscitated in "Bring me scissors, anaesthetic".
I do like this though. High melodrama! and Muldoonian rhymes and schitzo tomfoolery.
Hope I haven't been too blunt.
--
Fuselit - pocket poetry and art, made with love and diligence!
Roundtable Review - reviews, articles and new writing in poetry, fiction, film, art and stage.
I did read it aloud a couple of days ago at a poetry reading, and it seemed to work OK.
--
Fuselit - pocket poetry and art, made with love and diligence!
Roundtable Review - reviews, articles and new writing in poetry, fiction, film, art and stage.
To an extent, the changing register is a device - for instance, when he uses the word 'yea', it's mockingly, and when he says 'the world's a stage of tears' obviously he's being flippant. He's sort of half-playing up his affliction, but also lapses into casual speech, which is where the 'y'see's come in. But it is something to keep an eye on. I'm not sure I agree about 'yet' only being written - it seems to me a word people say when they're slightly full of themselves or adopting that kind of melodramatic voice, so not exactly relaxed, but nor formal either. Any other particular words you thought stuck out as being in the wrong place?
The rhythm was always a bit of a battle, in that I didn't want it to get *too* sing-songy, but I also wanted to avoid what Muldoon does a lot (at least based on my occasional browses through his Poems 1968-1998) which is make it impossible to read with any real underlying rhythm. I always like there to be a little tension between how the words might naturally come out and what the metre would dictate - but here, a very minimum tension, I guess partly to try to replicate the sort of stumbling, stopping and starting of someone going on a rant but finding it an effort to locate the right words, and slightly bonkers to boot.
I read it out at a poetry night a couple of nights ago and found that with the chorus it's best to sort of chant the first bit and then zip through 'And each desire to conquer' to the first 'by Jove', as an agitated mutter.
All that said, the pacing of it - the oscillation perhaps - doesn't seem quite right in places to me. I'm just not sure where to intervene. I know I don't really like the last stanza before the first chorus, although it's a necessary lead-up, and the reported speech of the rich barons, for example.
Haven't read 'Bagpipe Music', no. I'll check it out.
--
Fuselit - pocket poetry and art, made with love and diligence!
Roundtable Review - reviews, articles and new writing in poetry, fiction, film, art and stage.
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